Artist Support Pledge round two
siobhanmclaughlinstudio • March 8, 2021
Back in May 2020, I took part in the Artist Support Pledge, which allowed me to sell older works that I would not normally sell through a gallery. This time round, I'm selling a new series of drawings through the scheme.
The Artist Support Pledge scheme was started by artist Matthew Burrows in an attempt to combat the strain on the arts caused by the pandemic.
He says:
'Due to the COVID-19 pandemic, many artists have found themselves without work, teaching, technical support and gallery work. Exhibitions and sales have disappeared. In an attempt to help alleviate some of this stress I have instigated the ARTIST SUPPORT PLEDGE #artistsupportpledge.
The concept is a simple one. Artists post images of their work, on Instagram which they are willing to sell for no more than £200 each (not including shipping). Anyone can buy the work. Every time an artist reaches £1000 of sales, they pledge to spend £200 on another artist's work.'
These Lochnagar drawings are on sale for £60-70 on my shop page.
If you have any questions or would like to purchase one of the drawings, email me or use the contact form here.
I'm delighted to present Belongings, a piece by Martin Holman written in response to my show 'Pilgrimages' at Hweg gallery , Penzance 22nd November 2024 - 11th January 2025. I'm really touched by Martin's insights, references and analysis of the work and hope you enjoy reading the text. Read time is roughly 10 - 15 minutes. Thank you to Martin and to Joe at Hweg. For images of the show, see my works page here .
Fantastic to see this new commission installed at the Hazel Restaurant, part of AC by Marriot Hotel, Glasgow.
Delighted to have been asked by Lyon and Turnbull to select my Top Picks for the upcoming Art Edit 793 Auction. Aimed at making the art market more accessible, The Art Edit series of auctions enables people to begin or grow their art collection, with estimates starting at £200. Recent lots have included works by Victoria Crowe, Dame Ethel Walker and Dame Laura Knight, and here I'll be highlighting my top 3 picks for the next auction , opening on Wednesday 26th June 2024.
This blog post will act as a record of my favourite workshops that I've led or co-led in the arts. All images are shared with consent of the participants.
During my residency in Cornwall, awarded by Visual Arts Scotland , Wilhelmina Barns-Graham Trust and Porthmeor Studios, I met artist Peter Ward . After seeing an interesting painting of his at the Tremenheere Gallery, Penzance, I contacted Ward to ask about the medium of 'earth pigments'. To my delight he offered to show me the best pigment collecting sites along the South West Coastal Path.
Letting go of the imposter syndrome and accepting/celebrating the fact that I'm actually a curator. Nearly 3.5k people visited the Alan Davie exhibition at Dovecot Studios . That's mad to me. Thanks so much to everyone who visited, I hope you enjoyed it! A huge thank you to Dovecot for supporting my idea and giving me the opportunity to curate when I had no previous 'professional' experience. From approaching Dovecot with an exhibition plan in September 2019 to speaking at the exhibition opening in June 2022, I've learned a lot. Thanks also to Edinburgh Art Festival , the William Grant Foundation and the John Ellerman Foundation for the support.
Thank you to Edinburgh Art Festival for inviting me to speak at Art Late 2, streamed live from Jupiter Artland this week! It was a fantastic day of discussion, hearing from a range of artists, curators and creatives about their contributions to this years art festival. Watch the video below to hear my 8 reasons why everyone should visit the Alan Davie: Beginning of a Far-Off World exhibition at Dovecot Studios !
Alan Davie: Beginning of a far-off World opened at Dovecot Studios on 24th June 2022. I'm delighted that the reception to the exhibition, which I've been working on since September 2019 has been very positive so far.
BBC Radio Scotland's Nicola Meighan and I had a chat about Alan Davie last week on the opening day of my exhibition Alan Davie: Beginning of a far-off World at Dovecot Studios.
Meeting a lot of artists recently, who have such varied practices, has made me reflect on an essay I wrote back in 2018 on the role of artists in artist-run spaces. Particularly, meeting an artist who is currently studying Horticulture, got me thinking about the idea of 'artist-as-gardener'. I've just included a wee section of the essay here, which used EMBASSY Gallery in Edinburgh as a case-study, looking at the role of the artist in an artist-run space. In this section I was processing ideas of authorship and importance given to the 'Curator' title in contemporary discourse. Curatorial/artistic practice has developed significantly since I wrote this in 2018, but I think that the 'artist-as-gardener' idea is still a nice one.